[pre-queued entry while I'm away]
Here are two pieces of advice I've gotten about book reviews:
1. [when I was a graduate student] Book reviews are a good foray into the field, a great way to "enter the conversation."
2. [when I was a new assistant professor] A book review is a waste of time on a publication that's not really a publication.
Maybe it's because I work on Kenneth Burke who practically reviewed for a living, which is to say he reviewed in order to read deeply any number of books, that I'm a little wary of the second piece of advice, which smacks of so much cut-and-dry professionalism. (sidenote: Has anyone counted KB's extant reviews? I think Nathaniel Rivers and Ryan Weber are collecting them, so perhaps they have a clue. My guess is definitely in the hundreds.) There's also the perq of the free copy. I can recall coming across several letters to editors in which Burke asks if he can write a particular review. If the editors are his friends, like John Crowe Ransom or Malcolm Cowley, he'd even write something to the effect of "be a pal and save me two dollars on a book I'd read anyway." Other times he seems to want a little retribution on some rat bastard who panned one of his early books. But most times, Burke is in it to have a say, and he usually has fun with it too, making jokes about hasheesh in his review of P.D. Ouspensky's mystical followup to Tertium Organum, e.g.
So if book reviews come with free books (now upwards of $30-50), can be fun, and call for the kind of critical engagement we do regularly anyway, then even if don't really count as a full publication (where I am at least), maybe there are still good reasons to write them. I for one think they serve an important purpose, helping busy folks in the field get a sense of what's new, what they might need to pick up, what they might want to add to their syllabi. So here's my advice on book reviews:
1) Book reviews are a good way to engage a book in-depth and have something to show for it.
2) Book reviews provide a way to get out of the tiny little world that is Your Own Research and into a slightly larger world that is Your Broader Field.
3) (and more of a cautionary note) Book reviews come with deadlines, and if you're the kind of person who does not like having these things hanging over you, no need to do 'em.
I'm in the process of reviewing Josh Gunn's Modern Occult Rhetoric and am having fun. I'll even post here the opening of my review as a teaser and to get you to a) go ahead and find a copy of Gunn's book, which is really, really smart, or b) look out for the review which I think will run in RSQ come January, when the days and the mercury line are both much shorter.
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More
than a decade ago when, as a new doctoral student, I first encountered the
writing of Judith Butler in a graduate seminar on critical theory, I found it
strange, almost ghastly in its elusiveness. Most of the words in the first
chapter of Gender Trouble I could, at a basic level, comprehend, but not
in the peculiar way they were arranged, socked into sentences, coiled into
paragraphs, squashed into the small-margined pages, and tangled with proper
names--Wittig, Irigaray, Heidegger, Derrida--about which I only had a vague notion. Which is why, when I
needed to write about these words, I, a nonsmoking athlete who has
always preferred to write at my desk in the bright lucidity of morning, waited
until well after midnight, lugged my laptop and a dorm burner lamp onto the
tiny perch of a grad apartment balcony, and wrote my way through an entire pack
of cigarettes trying anything to get these strange piles of words to do
something for me. In the end they did something to me all right: by the time
the sun rose, I had a wicked nicotine hangover and a seminar-length paper. And
yet I still felt as if I didn’t quite have those words; instead, the words
themselves, with their strange, lurid pull, somehow had me.
On one level, my eerie, nonrational, quasi-alienating encounter with Butler’s
words is what Joshua Gunn’s book, Modern Occult Rhetoric, is about . . .
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and we're off!
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